Mark Bebbington
St. Andrew's Church, Aysgarth
Programme (draft):
William Alwyn - Sonata alla Toccata (1946)
Doreen Carwithen - Sonatina (1946)
Arthur Bliss - Masks (1924)
John Ireland - Three Pastels (1941)
Interval
Chopin - Nocturne in C sharp minor op. Post
Chopin - Sonata in B minor op. 58
The critical plaudits which have greeted Mark Bebbington’s performances and recordings have singled him out as a British pianist of the rarest refinement and maturity ("Bebbington is without doubt one of Britain's finest pianists." wrote Michel Fleury recently in Classica).
Internationally recognised as a champion of British music, in particular, Mark has recorded extensively for the Somm label to critical acclaim, with no fewer than nine of his recent CDs awarded 5* by BBC Music Magazine. Recent CDs include three British Piano Concertos with the City of Birmingham Symphony Orchestra, an all-Gershwin album with Leon Botstein and the Royal Philharmonic Orchestra ('Recording of the Month' from MusicWeb International). A CD of Concertos by Grieg (including the premiere of his sketches for a Second Piano Concerto, edited by Robert Matthew- Walker) and Delius with the Royal Philharmonic Orchestra and Jan Latham-Koenig was released in April 2018 and became 'CD of the Week' in The Times and Mail on Sunday. Most recently, Mark’s new recordings on Resonus Classics of works by Francis Poulenc with conductor Jan Latham-Koenig and the Royal Philharmonic Orchestra (featuring Poulenc’s Piano Concerto, the rarely-recorded piano version of the Concert champêtre, the Trio for Piano, Oboe & Bassoon, and the Sonata for Oboe & Piano) have received glowing reviews and a short-listed nomination for a Gramophone award.
Mark’s premiere recordings include an Arnold Bax’s Piano Concertino coupled with John Ireland’s Piano Concerto and Legend, and premieres of Vaughan Williams’s Fantasia and William Mathias’s first two Piano Concertos (Ulster Orchestra). In addition to concerto recordings, Mark completed his John Ireland and Frank Bridge solo piano series and released a CD of piano works by William Alwyn in 2017. As well as his BBC Music Magazine success, he has won Gramophone Magazine's 'Editor’s Choice' International Record Review's 'Outstanding' accolade and many others. International Piano Magazine wrote of him, “Bebbington’s revivals of British piano music are second to none; he could well be dubbed the concert pianists’ Richard Hickox. Bebbington has almost single-handedly demonstrated that 20th-century British piano scores have an exciting role to play in the concert hall and recording studio”.
Over recent seasons Mark has toured throughout Central and Northern Europe and in the United States (both as recitalist and as soloist with some of the world’s leading orchestras), as well as the Far East and North Africa. In 2017 he made his Carnegie Hall debut with Leon Botstein and the American Symphony Orchestra and also appeared with the Buffalo Symphony Orchestra and on tour with the Israel Camerata and Czech National Orchestra. Within the UK, he has appeared in concertos with the London Philharmonic, Royal Philharmonic and Philharmonia Orchestras, Flanders Symphony Orchestra, the London Mozart Players, Orchestra of the Swan and BBC Concert Orchestra. He has featured both as soloist and recitalist on BBC Television and Radio and also on major European Television and Radio networks.
Mark studied at the Royal College of Music where he was a recipient of numerous international awards and prizes, including a Leverhulme Scholarship, a Winston Churchill Fellowship and the Ivan Sutton Recording Prize – the latter awarded to the one outstanding graduate of the combined London Music Colleges. He later studied in Italy with the legendary Aldo Ciccolini.
Mark’s programming demonstrates a commitment to the music of our time and he regularly includes contemporary composers as diverse as Takemitsu, Julian Anderson, John McCabe, David Matthews, Pierre Boulez and Elliot Carter in his recital series.
List of Dates (Page event details)
- Saturday, 16th August 2025 19:30
Further Information
Venue: All of our concerts are at St. Andrew's Church, Aysgarth at 7.30pm.
Parking: There is very limited parking at the church for people with mobility issues - please let us know if you need to use this. Everyone else should park at the adjacent pay and display car park - the special negotiated rate for concerts is 1 hour of parking (currently £1.70) - please note only card payments are now accepted (no coins)*. You can also book parking in advance for 1 hour after 6.30pm to get the reduced rate via their website here or use their app on your Apple or Android phone (carpark ID is 808096). The phone apps are probably the easiest and quickest way of booking parking, as once you have set up your account you can use it each time. Ideally leave a note or a copy of your ticket on the dashboard to avoid any confusion with attendants.
* at the time of this information the RCP website has not been updated. The machines at the carpark no longer accept cash payments.
Dogs: A number of people have asked if dogs can be brought to concerts. To save confusion we have decided that only registered assistance dogs will be allowed.
Help to access concerts/help with transport:
Would you love to come to concerts but need help with transport or mobility issues?
We have funding from the 2020 Coop Community Fund aimed at providing transport from different parts of Wensleydale using taxis and minibuses, and if there is sufficient demand a general bus service to and from concerts. If you need help please contact us and we will see what we can do to help. If you need somebody to bring you to a concert we can help by providing a free 'carer' ticket - this is aimed at people who would not otherwise buy a ticket. To discuss your particular needs please call Carol or Liz on 01969 663026.
♦♦♦♦ Past Concerts ♦♦♦♦
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